And then you start just putting with the picture and see what the picture accepts, see what the footage accepts. I was able to put together a library of maybe a 100 songs to draw from. You read and then you begin putting the vocabulary together, or vocabulary of music together, or library of music together, right. HBO Burnett's process begins with reading the script and compiling a massive list of possible songs. Really, you're playing his unconscious or her unconscious. Everything, all of the music, the source music and the score music is growing out of the character. But here's the thing about electronic music: if you have an acoustic guitar and you put a microphone in front of it and play it, then it's electronic music. We were just doing it with electronic music. ![]() We weren't really playing, we weren't playing melodies against the characters or against the action to try to maybe manipulate the audience a little bit instead, we were playing the wind and the atmosphere and the trees and the ancient sounds, as Bill Monroe called it. There was something about this episode, about this season in particular, that once I started playing something, I couldn't stop. score always grows right out of the out of the character. He's one of the most inventive television writers ever. But Nic, the first thing I got from him was 500 pages and he led me right through it. ![]() ![]() With most scripts, it's hard to get past the third page. The music comes right from the page into Burnett's head. According to Burnett, the sound of the show comes to him from the style of creator Nic Pizzolatto's writing.Į spoke with Burnett to discuss True Detective Season Three's incredible soundtrack (which includes a new song he wrote with Andrew Bird), unpack the meaning behind the show's specific sonic atmosphere, and learn how the music is the one thread that connects every season. Music has always played a strong role in True Detective, which in its first two seasons, brought a highly stylized and menacing atmosphere to the crime thriller genre. "We're starting and ending the season with deep, deep classic American vernacular," Burnett says of Wilson, who returns on several occasions throughout this season.
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